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• Little 1A, Amy Sillman — Amy Sillman, Little 1A, 2018Silkscreen on Arches Hot Press 156 lb Paper37 x 44.5 cmEdition of 50Signed and numberedUnframedStandard Price £1,000 *Patron’s Price £900 ** * Edition prices will increase as they sell out.** Patron’s price is available to those who support Camden Art Centre via our Patron and Young Patron scheme. For further information please click here. Finance options are available through Own Art. Click here to learn more. Once you have read this information, if you would like to proceed with an application, please contact us on shop@camdenartcentre.org. This edition has been produced on the occasion of Amy Sillman's exhibition Landline, Camden Art Centre, 2018. VAT and ShippingPlease note VAT is calculated at checkout. For more information visit our Shipping and Customs Policy T&C'sPlease note you are agreeing to our Terms and Conditions by purchasing.
• To The Left, Sonia Boyce — Sonia Boyce, To The Left, 2020Digital Print Hahnemuhle Photo Rag (308gsm)50 x 38 cmEdition of 45Signed and numberedUnframed Standard Price £200 * Patron’s Price £180 ** * Edition prices will increase as they sell out.** Patron’s price is available to those who support Camden Art Centre via our Patron and Young Patron scheme. For further information please click here. Finance options are available through Own Art. Click here to learn more. Once you have read this information, if you would like to proceed with an application, please contact us on shop@camdenartcentre.org. About the WorkSonia Boyce OBE RA is a British Afro-Caribbean artist who lives and works in London. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator”. At the heart of Boyce’s work is an exploration of gestures and events, with an underlying focus on the personal and political subjectivities behind them. In this print, a racist exclamation dissolves gradually leaving just a trace, reflecting the fleeting nature of such encounters and the impunity of the perpetrator. About the Artist Sonia Boyce OBE RA (b.1962) is Professor of Black Art and Design at University of the Arts London. In 1987, she became the first Black woman to enter the Tate’s collection when it acquired her drawing Missionary Position II (1985); in 2016 she was elected as a Royal Academician and in 2019 she was awarded an OBE for her services to art. Solo exhibitions include Sonia Boyce, Manchester Art Gallery, Manchester (2018); We move in her way, ICA, London (2017); Paper Tiger Whisky Soap Theatre (Dada Nice), Villa Arson, Nice (2016); Scat – Sound and Collaboration, Iniva, Rivington Place, London (2013); Like Love – Part One, as well as Part Two and Part Three, Spike Island, Bristol and tour (2009-2010). Selected group shows include All the World’s Futures, 56th Venice Biennale of Contemporary Art, Venice (2015); Migrations: Journeys into British Art, Tate Britain, London (2012) and Sharjah International Biennale: 7, United Arab Emirates (2005). Boyce’s work can be found in public collections including Tate, the Victoria and Albert Museum, the Government Art Collection, British Council, the Arts Council Collection, and Centre Pompidou. VAT and ShippingPlease note VAT is calculated at checkout. For more information visit our Shipping and Customs Policy T&C'sPlease note you are agreeing to our Terms and Conditions by purchasing.
• Unhallowed Seed, Linder (Framed) — Linder, Unhallowed Seed, 2020Etching and Chine-colle29.7 x 42 cmEdition of 30Signed and numbered certificateFramedStandard Price £1000 *Patron’s Price £900 ** * Edition prices will increase as they sell out.** Patron’s price is available to those who support Camden Art Centre via our Patron and Young Patron scheme. For further information please click here. Finance options are available through Own Art. Click here to learn more. Once you have read this information, if you would like to proceed with an application, please contact us on shop@camdenartcentre.org. This edition has been produced on the occasion of The Botanical Mind: Art, Mysticism and The Cosmic Tree at Camden Art Centre, 2020/2021. About the work'While she was still speaking, the soil covered her shins; roots, breaking from her toes, spread sideways, supporting a tall trunk; her bones strengthened, and in the midst of the remaining marrow, the blood became sap; her arms became long branches; her fingers, twigs; her skin, solid bark.' - Ovid: Metamorphoses. Book X:431-502 Orpheus sings: Myrrha’s crime and punishment About the artistLinder Sterling (b. 1954, Liverpool, UK) is known for her photography, radical feminist photomontage and confrontational performance art. Emerging from the Manchester punk and post-punk scenes in the 1970s, Sterling focuses on questions of gender, commodity and display. Her highly recognisable photomontage practice combines everyday images from domestic or fashion magazines with images from pornography and other archival material. Cut and collaged by hand using a scalpel and glue, the juxtapositions recall a rich art history harking back to Hannah Hoch and the Dadaists. VAT and ShippingPlease note VAT is calculated at checkout. For more information visit our Shipping and Customs Policy T&C'sPlease note you are agreeing to our Terms and Conditions by purchasing.
• Untitled, Tenant of Culture — Tenant of Culture, Untitled, 2022Jesmonite, pigment and recycled garments and accessories and threadSize, variable6 unique worksSigned and numbered certificateStandard Price £2,400 - £2,000 *Patron’s Price £2,160 - £1,800 ** Finance options are available through Own Art. Click here to learn more. Once you have read this information, if you would like to proceed with an application, please contact us on shop@camdenartcentre.org. This edition has been produced on the occasion of Tenant of Culture's exhibition Soft Acid at Camden Art Centre, 2022. About the workIn this series the artist takes used clothing, shoes and accessories apart to reveal their seams, stains and wear incorporating these materials into assemblages utilising a reconstructive stitching process. These are then cast in jesmonite using moulds that are made from recycled packaging. About the artistTenant of Culture is the artistic practice of Hendrickje Schimmel (b. 1990, Arnhem), who lives and works in London. She received her MA in Mixed Media from the Royal College of Art, London in 2016, and completed a BA in Womenswear at Hogeschool voor de Kunsten, Zwolle, Netherlands in 2012. The artist is currently included in the exhibition Post-digital Intimacy at the National Gallery Prague, Prague. Forthcoming solo and two-person exhibitions include: Ivory Tars, Glasgow (2022) with Gillian Lowndes and Soft Opening, London (2023). Recent solo exhibitions include Et Al. at Kunstverein Dresden, Dresden (2021); Autumn Cloth at Sophie Tappeiner, Vienna (2021); Georgics (how to style a chore coat) at Fons Welters, Amsterdam (2020); I forgot to tell you I’ve changed at Het Fries Museum, Leeuwarden (2020); Eclogues (an apology for actors) at Nicoletti Contemporary, London (2019); Works and Days at Outpost Gallery, Norwich (2018); Deadstock at Sarabande Foundation, London (2018); Climate | Change at Clearview, London (2017) and The Latest Thing at CODE ROOD Koningsweg, Arnhem (2016). Selected group exhibitions include: Eternally Yours at Somerset House, London (2022); Testament at the Goldsmiths Centre for Contemporary Art, London (2022); Sartor Resartus, curated by Jeppe Ugelvig at Huset fur Kunst & Design, Copenhagen (2021); Getting Dressed at V.O Curations, London (2021); LOOK! Exposing Art and Fashion at Museum Marta Herford, Herford (2021); Ghosts and Bones at Galeria Stereo, Warsaw (2021); Combine at Fons Welters, Amsterdam (2021); Fittings with Kinke Kooi at Exile Gallery, Vienna (2020); Image Power at Frans Hals Museum, Haarlem (2020); Transformers at Future Gallery, Berlin (2020); Wearables at Etage Projects, Copenhagen (2020); Gubbinal at Project Native Informant, London (2019); NEW RUINS at Soft Opening, London (2019); Artquest Peer Forum at Camden Art Centre, London (2018); Out of Fashion at Centraal Museum, Utrecht (2017); Bloomberg New Contemporaries at Institute of Contemporary Art, London (2016); Fetishism in Fashion at MoBA Biennial, Arnhem, (2013). The work of Tenant of Culture is in the collections of the Fries Museum, Leeuwarden; the Stedelijk Museum, Amsterdam and The Pier Arts Centre, Orkney. In 2020 Soft Opening published the artist’s first monograph in collaboration with Charles Asprey which was one of the winners of the Swiss Most Beautiful Books Award. VAT and ShippingPlease note VAT is calculated at checkout. For more information visit our Shipping and Customs Policy T&C'sPlease note you are agreeing to our Terms and Conditions by purchasing.
• Zine Making Workshop – 21 Nov 2026 — Explore the world and possibilities of zines with an afternoon of collective learning and hands-on making. Saturday, 21 November 20261.30–5.30pmAt Camden Art Centre Join artist and Poetic Pastel Press founder Johanna Tagada Hoffbeck for an immersive afternoon dedicated to zine culture and creative exploration. This workshop will begin with a 45-minute illustrated talk and Q&A introducing the multiple reasons for and possibilities of zines as artistic, creative, poetic, and activist forms and as an accessible yet far reaching publishing practice. In the second part of the session, participants will create their own zine. All materials for this workshop are provided, including paper, drawing tools, access to photocopying and bookbinding tools. Johanna will guide the group through a simple thread-binding method, making the process accessible to beginners. Content for the zine can grow from an existing personal project or be developed on the day, drawing inspiration from the Camden Art Centre garden, observation, writing, drawing, or quiet reflection. This adult-only workshop encourages a creative, relaxed, supportive atmosphere, with organic herbal tea provided. A curated small library of zines from international publishers, offering a wide range of formats, themes, and approaches, will be available to consult throughout the afternoon. Participants who wish to include existing materials (e.g. drawings, text, cutouts) in the zine are encouraged to bring them. Participants will return home with: Contextual knowledge of zines, including their history, formats, and uses. Practical skills in basic zine-making and simple bookbinding techniques. Their handmade zine created during the workshop. Creative inspiration and ideas for future self-publishing projects. No prior experience necessary. Maximum places available: 16. Participants must be 18 or over. Discounts and concessions Student discount and concessionary prices are available for this workshop. As per our concessions policy, customers are required to submit evidence of eligibility. Please visit our policy page to find out more. Discounts and concessions Student discount and concessionary prices are available for this workshop. As per our concessions policy, customers are required to submit evidence of eligibility. Please visit our policy page to find out more. About the tutor Johanna Tagada Hoffbeck (b. 1990, France) is a transdisciplinary artist based in rural Oxfordshire. Her practice, rooted in ecological awareness, spans painting, sculpture, photography, publishing, horticulture, and participatory projects. Johanna’s work expresses care and tenderness, reflecting on the fragility and beauty of life. Recent solo exhibitions include Soft Soft at Mutty, Castiglione Delle Stiviere (2025) and Dreaming About Tomorrow at Nidi Gallery, Tokyo (2022). Group exhibitions include Soil at Somerset House, London (2025), The Equal Right to Live and Blossom at Kate MacGarry, London (2024), One Foot in the Sky at Contemporary Sculpture Fulmer, UK (2023), and Edge Effects at Whitechapel Gallery, London (2024). Johanna tends two allotment plots in rural Oxfordshire, where, inspired by natural farming and following veganic permaculture principles, herbs, vegetables, fruits, flowers, dyes, and medicinal plants are often grown from organic seeds. She has learned about natural dyes during her childhood in rural Alsace (France) from her grandmother and later while living in India and travelling to Japan. For over a decade now, Johanna has focused on exploring botanical dyes on reclaimed cellulose fabrics in several of her art projects, of which the series ‘Penser, Manger, Partager’ is perhaps most well-known. Johanna continues to learn and explore natural dyes in England and during her travels. In addition, Johanna founded the collaborative initiatives Poetic Pastel Press and The Gardening Drawing Club, the latter of which includes a Community Dye Plant Plot in Oxfordshire. Johanna is also the co

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• Home - Camden Art Centre
• Untitled, Tenant of Culture – Camden Art Centre Trading Ltd
• Zine Making Workshop – 21 Nov 2026 – Camden Art Centre Trading Ltd
• Little 1A, Amy Sillman – Camden Art Centre Trading Ltd
• To The Left, Sonia Boyce – Camden Art Centre Trading Ltd
• Zine Making Workshop - Camden Art Centre
• Unhallowed Seed, Linder (Framed) – Camden Art Centre Trading Ltd
• Camden Art Centre Trading Ltd