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Center for Book Arts

Center for Book Arts promotes active explorations of artistic practices related to the book as an art object.

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  • Secondary schools (primary)
  • Education & Training
  • Graphic design

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  • Dark Matter: Iron Gall Ink from Waste — Course Code: 26FPV007I This one-day, in-person workshop takes place at CBA on Monday, October 26th, from 6PM to 9PM ET. Monday, October 26th, from 6PM to 9PM ET Please Note: Registration for this workshop closes on October 19 at 11:59 pm. About the Workshop: In this hands-on workshop, participants reimagine a centuries-old process through a contemporary lens of sustainability. Drawing inspiration from traditional iron gall inks, they will transform discarded organic and metallic materials into functional black art media, exploring how waste can be both a raw material and a conceptual starting point for creative practice. The workshop begins with an investigation of the chemical interactions between organic compounds (e.g., teas, oak leaves, or acorns) and scrap metals, yielding deep, durable blacks. Through guided experimentation, participants will formulate and refine their own ink, observing how variations in waste sources and preparation methods influence color, texture, and drying properties. As their inks develop, participants will evaluate their optical, textural, and drying qualities and use them to create a small expressive work: a drawing, print, or painted piece that captures the material story of its making. Along the way, the group will consider the historical evolution of ink and pigment-making and discuss how circular and regenerative practices can renew traditional craft in the context of contemporary art and design. Required Materials: An optional reading will be provided via the class google doc once enrolled All other materials will be provided by the Center for Book Arts at no additional cost. About the Instructor Julian is a chemist, educator, and science communicator whose work bridges the arts and sciences. Focusing on sustainable materials made from waste resources, he transforms organic molecules and recovered scrap metals into the paints, pigments, and inks we use to express our understanding of the natural world. In addition to designing and evaluating functional soft materials, he shares his work through live public science demonstrations that link the history of materials to our everyday routines and rituals. He has taught at primary and secondary schools, as well as colleges and universities. When he’s not dyeing clothes in his bathtub at home, you might find him catching leaves for tannins in Central Park. His collaborations with artists and educators bring sustainable principles to life in both research and practice. All images courtesy of the instructor unless otherwise noted.
  • Introduction to Hot Stamping — Course Code: 26FHS100I This one-day, in-person workshop takes place CBA on Saturday, October 24th, from 11AM to 5PM ET Saturday, October 24th, from 11AM to 5PM ET Please Note: Registration for this workshop closes on October 19 at 11:59 pm. About the Workshop: Add a touch of brilliance to your book covers, prints, and handmade editions with hot foil stamping! This hands-on workshop introduces the art of applying metallic and pigmented foils to paper, bookcloth, and other surfaces using heat and pressure. Learn how to set up a hot stamping machine, experiment with different foils and textures, and create dazzling designs that elevate your book arts practice.Perfect for book artists, printmakers, and creatives of all levels, this class offers a unique opportunity to explore an age-old technique with modern applications. Whether you're looking to personalize your artist books, add elegant details to handmade journals, or experiment with bold graphic elements, you'll leave with new skills, custom-stamped pieces, and plenty of inspiration.No experience necessary—just bring your creativity! Required Materials: Recommended to bring your own snap-off Olfa knife and pencil All other materials will be provided by the Center for Book Arts at no additional cost. About the Instructor Biruta Auna is an artist, bookbinder, and designer. Her work features traditional craftsmanship coupled with artistic innovation. Concerned with the harmony of form, color, and texture, she allows the book to transcend its usual function. Biruta participates in domestic and international fine bookbinding exhibitions, and has had solo shows in Europe. Her clientele ranges from individuals – photographers, artists, and publishers – to art galleries and corporations. All images courtesy of the instructor unless otherwise noted.
  • Make the Thing: A small press publishing bootcamp — Course Code: 26FPD101I This four-week in person workshop, workshop takes place at CBA on Thursdays October 22nd to November 12th, from 6:00PM to 8:30PM ET. Thursday, October 22nd, 6:00PM to 8:30PM Thursday, October 29nd, 6:00PM to 8:30PM Thursday, November 5th, 6:00PM to 8:30PM Thursday, November 12th, 6:00PM to 8:30PM Please Note: Registration for this workshop closes on October 18th at 11:59 pm. About the Workshop: This in person class at Center for Book Arts is taught by instructor Christina Long. Have an idea for a zine or small publication but not sure where to start? This four-session bootcamp walks you through the full arc of independent publishing, from print production and binding to pricing, distribution, and the politics of making work outside mainstream channels. Over four sessions, students will print one complete zine, develop a concept and prototype for an original small-press, and build a practical publishing plan. The bootcamp concludes with each student presenting their final zine concept and prototype to the group. Along the way, we'll lightly explore the current landscape of independent publishing, including how AI tools, and censorship pressures are reshaping what it means to protect your creative work on your own terms. No prior bookmaking or publishing experience required. Required Materials: notebook, sketchbook, and writing tools All other materials will be provided by the Center for Book Arts at no additional cost. About the Instructor #Blkgrlswurld Press is an award-winning indie publishing house based in New York City. Led by Christina Long, MFA, (Global Creative Director) and her younger sister Courtney Long (Senior Editor), since 2013. The press celebrates and documents Black Womxn & Womxn of Color who participate in heavy music genres like Metal, Hardcore, and Punk. Interviewing bands, organizing music events and vending at zine fairs allow #Blkgrlswurld ZINE to introduce readers to new music and the diversity within music scenes.Zines and artists’ books published by #Blkgrlswurld Press can be found in libraries at The Metropolitan Museum of Art, The Museum of Modern Art PS1, The Schomburg Center for Research on Black Culture, The Barnard Zine Library and many more.
  • Making Meaning: Discussing Artistic Significance Through Book and Print — Course Code: 26FAT003V This four week, virtual workshop takes place online on Mondays, October 19th - November 9th, from 6PM to 8PM ET Monday, October 19th, from 6PM to 8PM ET Monday, October 26th, from 6PM to 8PM ET Monday, November 2nd, from 6PM to 8PM ET Monday, November 9th, from 6PM to 8PM ET Please Note: Registration for this workshop closes on October 12 at 11:59 pm. About the Workshop: This discussion-based course series with Beth Sheehan offers a deep dive into the theoretical underpinnings of printmaking and book art, encouraging participants to critically analyze and contextualize their own creative practices. Each session will focus on a different area of the larger theme of the course: an introduction to making meaning, the role of the artist, materiality and meaning, making multiples, and an argument for print. Through thought-provoking readings and group discussions, participants will develop a nuanced understanding of key concepts, such as materiality’s influence over meaning, power dynamics between maker and audience, and the impact of technological advancements, while honing their critical thinking and analytical skills. This workshop is designed for printmakers and book artists of all levels seeking to expand their artistic perspectives and engage in meaningful dialogue. Required Materials: No materials are needed for this workshop. About the Instructor Elizabeth (Beth) Sheehan is a printmaker, papermaking, and book artist living in Chicago, IL. Her work investigates ideas of memory and perception to explore her own lack of episodic memory. Sheehan’s work has been exhibited internationally and is held in public collections including the Metropolitan Museum of Art, The Center for Book Arts, and the San Francisco Public Library. She has worked as a professional printer at Durham Press in Pennsylvania and at Harlan and Weaver in New York. She was also the Lead Binder and Bindery Manager at Small Editions in Brooklyn and teaches paper, print, and book workshops around the country. All images courtesy of the instructor unless otherwise noted.
  • Painted and Sewn Non-Adhesive Journal — Course Code: 26FBB013I This one day, in person workshop takes place at CBA on Friday, November 6th, from 11AM to 4PM ET Friday, November 6th, from 11AM to 4PM ET Please Note: Registration for this workshop closes on October 25th at 11:59 pm. About the Workshop: This in person class at Center for Book Arts is taught by instructor Elaine G. Chu. Create a beautiful journal of your own. Using vibrant paints, we will experiment with mark-making on covers. Option to make perforated textures with a rotary tool. We'll fold inside pages and sewn them into our covers. Exposed stitches are both functional and decorative. Great as a keepsake or gift! Required Materials: Pencil and paper for taking notes If you already own basic bookbinding supplies, please bring them. If not, CBA will have some for purchase or to borrow. All other materials will be provided by Center for Book Arts at no additional cost. About the Instructor Elaine G. Chu has taught students of all ages in person and online. Her work has been featured in “Greencraft” and“Somerset Studio” magazines as well as “1000 Artists’ Books.” She co-authored “Wood Paper Scissors,” a how-to crafts book. Elaine received a B.A. in music at Yale University and a B.F.A. in graphic design at University of the Arts. You can view more of her work at EGChuHandcrafted.etsy.com and @egchu1 on Instagram. All images courtesy of the instructor unless otherwise noted.
  • Paper Case Binding — Course code: 26FBB106I This in-person workshop takes place at CBA on Saturday, November 7th, from 11AM to 5PM ET. Saturday, November 7th, from 11AM to 5PM ET Please Note: Registration for this workshop closes on October 25th, at 11:59pm Eastern Time. About the Workshop: In this class, students will construct two variations on a soft-cover multiple-signature binding. We’ll start off sewing our text blocks, then make two different stiff paper covers to house them. We will talk about materials, tools, sewing technique, cover variations, and endsheets. This structure is non-adhesive, and can be constructed in a home studio with minimal specialized equipment. This kind of structure is a versatile step up from a pamphlet, and can be used to make notebooks, sketchbooks, and artist books. Beginners welcome. Required Materials: Pencil and paper for taking notes Bone Folder or teflon folder Metal ruler X-Acto Knife with #11 Blades or OLFA knife with blades Scissors Awl (optional) Spring Dividers All other materials and tools will be provided by CBA at no additional cost. About the Instructor Sarah Nicholls is an artist, printmaker, and writer whose work combines language, image, visual narrative, and time. Her ongoing projects on climate change, urban ecology, and the history of science and technology include a series of letterpress pamphlets as well as participatory programs like guided urban/nature walks. Nicholls’ limited edition artist’s books are in the collections of the Victoria & Albert Museum, the Brooklyn Museum, Columbia University, and Stanford, among others. Her work has received support from the Bronx Council on the Arts, the Lower Manhattan Cultural Council, the Brooklyn Arts Council, and the Puffin Foundation, and she has participated in residencies at BRIC House in Brooklyn, the Chicago Center for Book and Paper Arts, and Guttenberg Arts in New Jersey. Nicholls teaches letterpress and book arts at Pratt Institute and Parsons School of Design in New York City. All images courtesy of the instructor.
  • Suminagashi Marbling — Course Code: 26FPT104V This virtual workshop takes place on Zoom on Tuesday, November 3rd, from 6PM to 8PM ET. Tuesday, November 3rd, from 6PM to 8PM ET Please Note: Registration for this workshop closes on October 20th, at 11:59 pm Eastern Time. About the Workshop: This virtual workshop is taught by CBA instructor Sheryl Oppenheim. Suminagashi (translation: spilled or floating ink) is a style of marbling that originated in Japan by the year 1100. It is the oldest form of marbling and is just done with water and ink! Participants will learn about the history of suminagashi marbling and look at examples of work by contemporary work and practitioners. After learning about materials and how to prepare them, you will learn a variety of techniques as you practice suminagashi, experimenting with different paper and methods.Students will come away with marbled paper of their own as well as a newfound knowledge of the suminagashi technique. No previous experience required! Required Materials: This class requires a variety of specialty materials. A full list of materials will be shared with you upon registration. Please contact education@centerforbookarts.org with any questions on materials for this workshop. About the Instructor Sheryl Oppenheim was born in 1983 and raised in Orlando, Florida. She is a painter, paper marbler, and maker of illegible books, an idea she first became interested in after seeing the work of Bruno Munari, and through her proximity to books, bookbinders, and marbled paper at her first job in New York, at a bookbinding supply house. She began marbling paper in 2011 and began learning Suminagashi in 2016. Her artist books and prints are included in public collections including the Metropolitan Museum of Art’s Watson Library, the Museum of Modern Art, the Walker Art Center, the New York Public Library, the Brooklyn Museum, and the National Museum of Women in the Arts. She has participated in recent exhibitions at the Minnesota Center for Book Arts, Sadie Halie Projects, Deanna Evans Projects, International Print Center New York, Small Editions, and the Cranbrook Museum of Art. Oppenheim received her BA from Brandeis University and her MFA from Temple University’s Tyler School of Art. She lives and works in New York City. All images courtesy of the instructor.

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